I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great distorted wall in front of them that hid the truth.
You know, I’d decided to stay away from horror and the resolve seems to have lasted barely two months and about twelve books. I suppose Rebecca by Daphne du Maurier isn’t horror in the strictest sense, it’s a mystery and a romance; but it is ruthless, daring, packed with haunting emotion and brutally honest; which makes it everything I wished to avoid about horror and am glad I didn’t.
‘A little while ago you talked about an invention,’ he said, ‘some scheme for capturing a memory. You would like, you told me, at a chosen moment to live the past again. I’m afraid I think rather differently from you. All memories are bitter, and I prefer to ignore them. Something happened a year ago that altered my whole life, and I want to forget every phase in my existence up to that time. (…) You have blotted out the past for me, you know, far more effectively that all the bright lights of Monte Carlo.’
But in Manderley, which is scenic and mesmerizing, things aren’t as easy as the new Mrs. de Winter supposed. She can see her husband is happy at home, but he’s also distant, and prone to the oddest mood swings. And as she soon begins to discover, the house and its people and relations are still stuck in the past. The the shadow of Maxim’s first wife, Rebecca, looms over the narrator, stifling her, making her an intruder on her own life. Wherever she goes, it’s Rebecca this, Rebecca that, “she was the most beautiful creature I’d ever seen.” Their neighbours, the narrator feels, compare her with Rebecca and she falls short. Rebecca’s old lady’s maid, Mrs. Danvers hates the narrator for trying to replace her mistress, and tries to sabotage her relationship with Manderley at every turn. The gossip torments our uneducated, untrained, innocent narrator and the expectations bog her down.
And in the midst of it all, there’s the mystery of Rebecca’s death. As if an accomplished sailor drowning in her own boat wasn’t odd enough, the narrator finds Mrs. Danvers and a strange man in Rebecca’s old room, Maxim pales at even the barest mention of his first wife, a crazy guy called Ben living in the cottage where Rebecca spent her many nights has freaky things to say about her, and as the narrator tries to piece together the tragedy of Manderley, she wonders if Maxim would ever love her as he loved Rebecca.
My thoughts: The narration is evocative, urgent, authentic. The descriptions are vivid, richly suspenseful. But for me, it’s the construction of the book, the falling in to place like a puzzle of the story, the timelines, the little technical details like never revealing the narrator’s name, and never actually showing us Rebecca, we see not even a picture, only the impression she’s left on those alive and what the narrator makes of it, the truth revealed is all the more shocking hence. I love the writer for showing us just enough to help us guess the truth on our own. At the end it’s not a story we’ve been told, it’s something we’ve experienced – and that lends it its intellectual charm.
For the first time in a long time, I wrote about the book first in my diary and am now typing it out. I’ve written three pages of notes. I’ve written how I love the brooding aristocratic Maxim and his relationships, especially with his sister and his ever carefully calm and composed exterior. It occurs to me how you can never guess the torment inside anybody, no matter how well you think you know them. Poring over my notes, I realize I could never fit them into a conventional review; the scenes that stand clear in my memory; how Mrs. Danvers tried to coax the narrator into taking her life, how the narrator burnt the page of the book of poems with Rebecca’s writing on it, how she seethed at the thought of Rebecca calling her husband Max and how even at the end the narrator never did end up calling him that, how she never fit in, accidentally saying Mrs. de Winter was dead when she answered the phone, how she never second guessed her judgments nor doubted her self image. It’s a coming of age story; a story of her youth through the voice of her aged wisdom. At twenty one, I find Rebecca by Daphne du Maurier perfect in some places and mysteriously irrelevant in others, the book is terrible in so many ways, but it also makes me just a little hopeful.
They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. Today, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then – how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal.
A few weeks ago I told someone I don’t like Romantic books. It was in reference to Frankenstein, which isn’t my favourite book at all. That being said, that was a generalization that I would like to take back. From now on, when someone says gothic romance, I’ll think of Rebecca and be happy, and sad. What a book. The funny thing is, I’m already reading the book again as I type this and it is still just as engaging. If you haven’t already, I highly recommend you to read this book. If you have, tell me, did you like it?
I might say that we have paid for freedom. But I have had enough melodrama in this life, and would willingly give my five senses if they could ensure us our present peace and security. Happiness is not a possession to be prized, it is a quality of thought, a state of mind of course we have on moments of depression; but there are other moments too, when time, unmeasured by the clock, runs on into eternity.
6 thoughts on “Rebecca by Daphne du Maurier”
I've read Rebecca twice, I think, but it's been a while. I remember how taken I was with the characters. I enjoy the looming "gothic romance" atmosphere. Few do it as well as this, or maybe I just haven't found the right authors to try.
I like the movie, too, and tried to buy the DVD for years while it wasn't available.
What a lovely review, Priya. I think I've read this a long time ago but now reading your thoughts on it I can't be sure. Just yesterday I was reading a short story by Angela carter called The Tiger's Bride and when I got to the last sentence I realized I'd read it before! What an odd experience! Anyway, I'd like to (re)read this.
I've read Rebecca so many times, and for me it's the rare book that never loses any of its suspense when you reread it. Du Maurier's other books and short stories are great, too, but Rebecca is probably in my all-time top ten favorite books.
Divers and Sundry – Yes, the atmosphere is wonderful – and I'm with you, I haven't found any authors who pull it off quite so well either.
Delia D – That is a funny feeling – the same happened to me when I read Franny and Zooey and had this deja vu feeling throughout, and it was at the end that I realized I'd already read the book once. It's weird to think I'd forgotten it – maybe I don't pay enough attention when I read! Rebecca, though, should be worth the re-read. 🙂
adi – It does seem like a book that can be read and enjoyed more than once! The back cover of my book claims that du Maurier would still have been as famous had she only written Rebecca. That makes me wonder if I'll like any of her other writing as much, having already read this! But, I just read your review of Doll and I am curious to give it a try.
The Doll really is great! But the horror and suspense are pretty limited to just one story, so adjust your expectations accordingly. Du Maurier really does deserve a lot more credit than she gets, though, and your review makes me itch to reread Reecca!
adi – I will read it, and The Birds, which I was also recommended – but not before I'm done brooding over this book. 🙂