feel shifts in stone and hear vibrations of the ground. And to control the orogenes from harming humans, we have the Guardians, who have been charged with taking care of the orogenes. The Stillness is a ravaged world, made savage through its suffering. Not unlike our world, it uses blind violence to get what it wants.
One day, a giant rift hits the ground, signalling the start of yet another Season, and demolishes many communities in the Stillness. But this is not the greatest of Essun’s troubles. For the same day, she comes home to find her husband and daughter missing and her little boy strangled to death. And that can only mean one thing: their secret is out. Essun can sense that her daughter is still alive somewhere, a mother’s instinct, and she sets out to find her husband and daughter and avenge her son’s death. But Father Earth has other plans for Essun.
The plot is complicated and the timelines could get confusing. But it will keep on the edge of your seat, that’s for sure.
THEMES: This book and the rest of the trilogy is very intelligently crafted. I had asked friends to recommend books that were ‘unputdownable’ and this series was one of the suggestions. I don’t usually read series especially when I haven’t heard of them, but man, I’m so glad I read this. While I have only spoken about one story here, it is the series I wholeheartedly recommend. It is so well bound together that I cannot think of one book without its companions, an infinity gently split into three narratives. The series is about so many things, it’s about everything – family, life, death, love, forgiveness, kindness, race, politics, discrimination, war, survival, hatred, fear – from bare human emotions to grand worldwide conflicts. And it is about time, and how it affects everything in the most epic proportions…
THE CHARACTERS: It is through Essun’s eyes that we experience this world throughout the series, told largely in second-person perspective. She is a beautiful character and the best thing about this book for me – many fantasy stories today showcase powerful and flawless heroines that seem to exist to make a stand. (Two years ago, I had many speculative fiction magazines reject my first story, The Dew Eagle, because the main character, a tribal woman, didn’t seem strong enough, whatever that means.) Essun is strong. She is also flawed, and not always aware of her shortcomings – her temper, her ideas of motherhood, her selfish pursuits. She is not always in control, of herself or her surroundings. And the story demands that you relate to her, identify with her, because she is ‘you.’
The Broken Earth Trilogy is reminiscent of Earthsea in its conspicuous lack of whitewashing. The characters, spread across different communities in the Stillness, are of different race, colour and sexuality – Jemisin takes great care in describing the characters as both individuals and representatives of their creed. And she tackles the prejudices present in the characters carefully as well – giving us a truly well-rounded believable world, not without its faults, but overall, understandably so. Perhaps the biggest achievement for Jemisin is that you cannot characterize any of her characters as inherently ‘good’ or ‘bad’; that kind of black-and-white judgment absent in her writing. Our characters range from prudent and self important, to impulsive and lacking in faith – and they’re all simply trying to survive, one way or the other. This is not a moral story, not a preaching session. It’s a lot more complicated than that. Any lessons are for you to deduce.
“But human beings, too, are ephemeral things in the planetary scale. The number of things that they do not notice are literally astronomical.”