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The Handmaid’s Tale by Margaret Atwood

The Handmaid’s Tale by Margaret Atwood

This review is a part of the Dystopia 2012 Challenge hosted at The Bookish Ardour.

“A chair, a table, a lamp. Above, on the white ceiling, a relief ornament in the shape of a wreath, and in the center of it a blank space, plastered over, like the place in a face where the eye has been taken out. There must have been a chandelier, once. They’ve removed anything you could tie a rope to. “

About the book: The Handmaid’s Tale is a dystopian novel by
Margaret Atwood, which was first published in 1985.
Summary: (from Goodreads) Offred is a Handmaid in the
Republic of Gilead. She may leave the home of the Commander and his wife once a
day to walk to food markets whose signs are now pictures instead of words
because women are no longer allowed to read. She must lie on her back once a
month and pray that the Commander makes her pregnant, because in an age of
declining fertility, Offred and the other Handmaids are valued only if their
ovaries are viable. Offred can remember the years before, when she lived and
made love with her husband, Luke; when she played with and protected her
daughter; when she had a job, money of her own, and access to knowledge. 
But
all of that is gone now…
My Thoughts: This may seem like a very halfhearted review
and I do not blame you for thinking that. I don’t usually tend to write reviews
about books I don’t like, unless they’re review copies, in which case I have
to. It’s because I am mostly unable to think of anything to write. But since I
read this book as part of a challenge, I decided to go ahead and write the
review.
I have seen this book compared to Orwell’s 1984 countless
times. I won’t try to tell you how wrong those comparisons were; I merely want
to show how wonderful I expected this book to be. What I got, instead, was very
clumsy writing; not to mention very little character development and an average
plot.
The book starts out painfully slow. The writing is childlike,
with short pretentious sentences, too many metaphors, an inconsistent narrative
and for some reason, no quotation marks. The authors tries too hard to sound
beautiful, scary, touching. Throughout the book, the reader is kept in the dark
about most important things, and instead presented with a whole lot of
irrelevant details. Till the very end you don’t get a clear explanation of why
the world is this way, what drove the characters and we never find out what
happened of half the characters.
So much of the plot is withheld for so long, and I can think
of no other reason why the author would do this than to attempt to keep the
audience intrigued. I wasn’t intrigued, just confused, slightly irritated and
sort of amused. The only reason I kept reading the book was because I had to
find out if the mystery ever ends.
I wish the book had a more intricate plot, or better
developed characters. The book would make a much stronger statement, if only
all the underlying themes such as gender, sex, caste, class and patriarchy
were, in fact, underlying. I like books that have a point to make, but not if
the message starts to hinder the plot and character development. I appreciated
the basic premise of the book, the world that the author has tried to create
and the impact she’s tried to make; but that basic idea was the only thing I am
completely certain I liked.

If someone asks me how I find this book, I won’t say I hate
it, because I don’t; I would just call it okay.
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  • Buried In Print

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